Zeiss has unveiled a game-changer in the world of cinema optics: the Horizon Anamorphic series. This new line of full-frame 2x anamorphic cinema lenses is set to revolutionize the way filmmakers capture and present their vision. With a focus on innovation and a commitment to preserving the cinematic feel, Zeiss has crafted a series that is both technically advanced and artistically inspiring.
A New Chapter in Cinema Optics
Zeiss' Christophe Casenave describes the Horizon Anamorphics as the next chapter in the company's cinema optics story. By combining cutting-edge technology with a refined image, Zeiss aims to bring a unique cinematic feel to the forefront. This series is not just about technical specifications; it's about enhancing the creative process and pushing the boundaries of what's possible in visual storytelling.
Versatility and Customization
One of the standout features of the Horizon series is its versatility. With seven focal lengths spanning 35mm to 200mm, these lenses offer a wide range of creative options. The neutral baseline look encourages experimentation, allowing filmmakers to use filtration, LUTs, and diverse lighting techniques. What makes this particularly fascinating is the proprietary look-tuning back element, which can be swapped out in just eight screws, altering sharpness, contrast, and character. This level of customization is a game-changer for filmmakers looking to achieve a specific aesthetic.
Technological Advancements
The Horizon series is engineered with a focus on technology. The built-in focus and iris motors, compatible with ARRI and Preston lens control systems, offer precise and efficient control. The factory-calibrated absolute encoders provide a single consistent source for metadata, streamlining the workflow. Dual displays and touch panels on the lens barrel make focus and iris checks a breeze. These features are designed to speed up production and enhance the overall efficiency of the filmmaking process.
Visual Excellence
Low distortion, stable color, and minimized aberrations make the Horizon lenses ideal for VFX-intensive productions. The consistent 114mm front diameter supports balanced handheld, gimbal, drone, crane, and car-rig operation, making it easy to achieve the desired look. The fast T2.3 stop across the full-frame coverage set (T2.9 at 200mm) provides shallow-depth-of-field anamorphic, allowing filmmakers to create stunning visual effects and enhance the cinematic feel.
Future-Proof Design
The Horizon series is designed with future expansions in mind. Built-in processing and on-board memory support broader ecosystem compatibility, extended metadata capabilities, and potential autofocus integration. This forward-thinking approach ensures that the lenses remain relevant and adaptable as technology evolves.
A New Standard
The Horizon Anamorphic series sets a new standard for cinema lenses. With its combination of cutting-edge technology, artistic versatility, and future-proof design, it is poised to become a go-to choice for filmmakers looking to push the boundaries of visual storytelling. In my opinion, this series represents a significant leap forward in the world of cinema optics, offering a unique blend of innovation and artistic expression.
Conclusion
Zeiss has once again raised the bar with the Horizon Anamorphic series. This new line of cinema lenses is a testament to the company's commitment to innovation and artistic excellence. As filmmakers embrace these lenses, we can expect to see a new wave of visually stunning and technically impressive cinematic creations. From my perspective, the Horizon Anamorphics are not just lenses; they are a gateway to a new era of visual storytelling.
